. And third, at least according to Gibbon, the Crusaders, on the whole, may have been more restrained than their Ottoman counterparts. We have made US presence here (on Islamic lands) painful and costly. I thought Puttin on the Ritz originated with Taco.“It was a response to the official renaming of the city to Istanbul in 1930.”I notice that the narrator in “The Third Man”, filmed and set in 1949, says : “I never knew the old Vienna before the war with its Strauss music, its glamour and easy charm. All we have to do is just wait.Now, where is the Christian resistance? And the lyrics!

They also destroyed, scattered, or lost an estimated 120,000 volumes of classic literature from the libraries of Constantinople, which “included the whole works of Aristotle and Homer, the noblest productions of the science and literature of ancient Greece,” according to Gibbon. A cover of it was released in 1987 by Big Muffin Serious Band, and in 1990 a rock cover by They Might Be Giants was released. No one can play quirky, optimistic nerd music better than TMBG.
Now we have mercenaries from White Christian nations shilling for their Jewish handlers who fight so that their masters could jerk freely on the wailing wall. It is said to be a response to "C-O-N-S-T-A-N-T-I-N-O-P-L-E" recorded in 1928 by "Istanbul (Not Constantinople)" was originally recorded by the This eclectic but lesser known group from New Zealand released a fun cover on their LP "Jabberwocky Goes To Town" in 1987.One of the better-known versions of "Istanbul (Not Constantinople)" is the cover by the During the 2000s, the song was performed live by Australian Klezmer/Gypsy Jazz band "Constantinople (song)" redirects here. . It would have been an honourable cause. I can’t say they are a bad group, because for what they do they’re probably the best. But instead, in the last 150 years, whatever came from the Occident, came under the banner of satanic materialism with Judaism written all over it. But, what is interesting, is that it was September 11., 1683. Up until the 20th century, prior to widespread proliferation of the telegraph, telephone, radio, film, television, and ultimately the internet, pop culture retail wasn’t a thing. Being that the official name change was still kinda newsworthy, and given the other pop-culture interest in the orient from that general era as depicted in movies like Casablanca, Lawrence of Arabia, etc, and given Howard Carter’s discovery of Tut’s Tomb in Egypt, it is no surprise that music producers would be eager to grab hold of such novel lyrics in hopes that it would sell.Vector this with the more tangible and current political upheaval that led to cities like St Petersburg being renamed Leningrad, one can understand why the anglosphere, which was far more influenced by Rome than Byzantium and would have seen Constantinople as “Eastern” rather than “Western” at a time when Europe was clearly divided by these 500 year old cultural demarcations in the form of the iron curtain, well I guess that might be an explanation as to why the average American or Englishman would have been indifferent to the name change.Gosh.

With Russia resurgent under Putin and increasingly unsympathetic to the direction of Erdogan’s Turkey we may see tension over access to the Black Sea.Oh, for crying out loud. It took years for people to get the memo that pink prairie dresses were out of fashion in favor of blue ones. Whether it was produced deliberately on the 500th anniversary of the fall of Constantinople is anyone’s guess. Why has there never been a Christian vanguard committed to take back what in their eyes truly belonged to them? They also turned in some perfectly fine children’s music with their Grudgingly I say this, but They Might Be Giants deserve credit for improving upon what in all likelihood is one of the finest novelty songs ever written.And yet. So, it seems that contemporary white audiences were either indifferent to the name change of the former Ottoman capital or they had completely gotten over that 500-year-old defeat, devastating as it was.In a sense, who could blame them? Music came out of the same hymnals your grandparents used. How many times can one cram mouthfuls like “Constantinople” and “Istanbul” into a pop song with hardly any regard for rhyme and still make it work? And could there be a more emphatic ending? There’s also no evidence that it had ruffled the feathers of history buffs at the time. The magnificent structure will always belong to Orthodox Christendom.

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